What makes the Southern Poverty Law Center particularly odious is its habit of taking legitimate conservatives and jumbling them with genuine hate groups (the Klan, Aryan Nation, skinheads, etc.), to make it appear that there's a logical relationship between say opposing affirmative action and lynching, or demands for an end to government services for illegal aliens and attacks on dark-skinned immigrants. The late novelist/philosopher Ayn Rand called this 'the broad-brush smear.'
As you know, you go to war with the army you have, not the army you might want or wish to have at a later time. Since the Iraq conflict began, the Army has been pressing ahead to produce the armor necessary at a rate that they believe -- it's a greatly expanded rate from what existed previously, but a rate that they believe is the rate that is all that can be accomplished at this moment.
Success in Silicon Valley, most would agree, is more merit-driven than almost any other place in the world. It doesn't matter how old you are, what sex you are, what politics you support or what color you are. If your idea rocks and you can execute, you can change the world and/or get really, stinking rich.
Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence.
I've played English a number of times, and used an English accent a number of times, so it becomes a little bit of an obstacle course to go, "Oh, that's teetering into Captain Jack-ville," or "This is teetering into Chocolat or Wonka." You've got to really pay attention to the places you've been. But, that's part of it. That's the great challenge. You may get it wrong. There's a very good possibility that you can fall flat on your face, but that's a healthy thing for an actor.
I was in the gym five days a week, two hours a day. At one point, I was going seven days straight. I had put on a lot of weight, and then I started losing it drastically, so I was worried. It turned out I was overworking myself. My trainer told me that I couldn't break a sweat, because I was burning more calories than I was putting on.
Bring your attention to your breathing and realize that you are not doing it. It is the breath of nature. You reconnect with nature in the most intimate and powerful way by becoming aware of your breathing and learning to hold your attention there. This is a healing and deeply empowering thing to do. It brings about a shift in consciousness from the conceptual world of thought to the inner realm of unconditioned consciousness.
The [Oregon] Journal in its head and heart will stand for the people, be truly Democratic and free from political entanglements and machinations, believing in the principles that promise the greatest good to the greatest number-to ALL MEN, regardless of race, creed or previous condition of servitude... It will be a fair newspaper, not a dull and selfish sheet...
This world is bullshit. And just because I appear in music video wherein I am in my underwear, and make young women feel not good enough so that they become anorxeic; and okay, maybe because of that I became popular more quickly than other singers who are, I don't know, maybe more talented or better songwriters. That doesn't matter because, and... um... my boyfriend is a magician, and he can pull a quarter out of your ear and say things like 'We have not met before have we?' Go with yourself.
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